the hungarian drum & bass innovator jade, known as head honcho of neurofunk powerhouse eatbrain, returns to citrus recordings. for the a-side none other than break takes up remix duties reworking jade’s “what you are” that was originally released on his own imprint back in 2014. continuing with “monstereo” we hear a more rolling, pumped up groove underlined by tear up bass sounds and fueled by hyperactive arpeggios.

in 1949 miles davis, gerry mulligan and gil evans - they’d never met before - gravitated together with the natural affinity of kindred souls. combined, they gave each other a spiritual boost that resulted in many all-night sessions of earnest discussion, writing and playing-productive work on new musical ideas, new voicings, new concepts of jazz. their first appearance startled a delighted jazz public, and marked the birth of the cool. today, these famous miles davis instrumentals are as exciting as ever, and here are in all their glory.

a certain level of soulful expression can be reached only when stars align correctly up there as well as down here. once in a while a new track comes along that fools you into thinking you are listening to some lost re-discovery from the catacombs of american soul. the first release on timmion records new stylart imprint should leave a lasting mark on all friends of quality soul balladry. -love can last forever- by the enigmatic fred is the tune that will turn your heart to the love side whether you hear it at the end of a heavy club night, gripping on the wood grain wheel, or leaning on the bars of the penitentiary. who is fred then, you might ask. suffice to say he is a complicated man, who possesses a buttery falsetto and the rare power to turn banal testimonies of heartache and love into cathartic magic. this basically means he has soul, and we don t state this lightly here at timmion. after his first release, there are a few other heaters lined up, so be prepared for fred, his star is rising.

great debut release and new label from a rubadub shop regular featuring tracks from shop regulars. tip. this first release is made up of 3 tracks from my friends and 1 from myself. there’s no concept here other than putting out music that was otherwise not going to see the light of day. the first track is by bleaker who put out a 12inch on unknown to the unknown last year, the second by miz aka big miz whos been putting out music on dixon avenue basement jams, the third by the burrell connection who has a release on west end communications and a track on a craig knows released compilation and the last track is from myself which got a play on big mizs boiler room set. these tracks were all sent to me around the same time and it felt right to make a place for them on a record. bleaker, miz and the burrell connection have all been making waves in scotland and beyond and these 3 tracks are proof that the attention is warranted. and i dont think my track is too bad either.

ritmische bezinning shows hieles journey into his world of lucid, hard to pinpoint electronica that keeps on evolving into more individual styles with each release. exactly on the verge of what is expected and pleasantly surprising, hieles layered compositions prove to be material for the experienced listener. off-key triumphalism underwater sonar, detuned disrupted vocoder commands, plangent, tranquilized, insane communication, variation, ringtone experiment sexy exploration, for three in the morning shades of cronenberg, existential fear alien funeral dirge overrun by noise in the machine, colonising other plains, clicking alien tongue. - a. kaye

nycs legendary sam records dropped the mysteriously named k.i.d.s dont stop- in 1981. it has it all trancey arpeggios, vocoders & vocals trading off with each other, brass & some heavyweight disco drums that helped propel it forth into the hallowed category of club classic. the record perfectly suited the open minds and open ears of discerning disc jocks in locales such as new york and chicago where this sublime piece of electronic disco sleaze would get plenty burn on the city s infamous wbmx thus having a huge impact, along with a whole host of other similar records, on the burgeoning house scene that was germinating in the fertile mid western soil. b-side cut do it again is a pleasant enough early 80 s disco jam, but compared to the futuristic burner that is dont stop on the other side theres one clear winner. a must have for all cosmic, disco, funk aficionados. now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

ts10 is the 1st ep of the toneseries project. born from the collaboration between french music producer, live performer and dj - david k, and lumièreslanuit s co-founder and an der grenze s founder - edouard morin. however, it isn t clear which artist from their extended crew stands behind this 1st release, as if the berlin-based music label wanted to focus on the music rather on the artist. ts10 consists of two tracks, both deep and groovy. whereas ailleurs disseminates the perfect warm-up groove, desert snowflakes fires off a more dancefloor-driven vibe. with regard to the artwork, as shown on the cover, each track has its own colour. there is neither a a nor a b-side. the same applies to the record vinyl itself. each track stands on it own. as a result, ailleurs and desert snowflakes distinguish themselves from each other through their vibes and colours, although they remain in the same spirit. in summary, toneseries brings together the idea of interdependence between music and design: what colour follows on from music and, in return, which musicality comes out of colours.

lumièreslanuit is glad to welcome istanbul-based duo bärtaub (mutlu san & batuhan güler) for the 6th release of the label. as in most of the duos, each of the members has his speciality. whereas mutlu focuses primarely on the music production, batu is known by istanbuls house/techno aficionados as a restless dj. bärtaubs debut ep is called rhizome (type of plant root) not without reason. beats, melodies and bassline jump over, crawl under and draw apart from each other in unexpected and non-hierarchical ways. in the end, they all come together in a harmonious manner that creates an overall of excitingly playful forest-like atmosphere.

when we signed bosq s tumbala featuring puerto rican legend tempo alomar on vocals last year we knew that it was a multi-cultural masterpiece. we also knew that giving it a boost for the club could take it to a whole other stratosphere. so we enlisted another one of our favorite multi culti producers, auntie flo to take it for a spin, and boy did he turn out a club jam!

third try records’ debut release is produced by none other than axel boman, one of sweden’s most acclaimed electronic producers in recent years. over the course of three tracks, stockholm’s finest delivers a fantastic ep that makes this debut release from third try records particularly compelling. this is definitely an imprint to watch over the next few months with releases lined­ up that range from french to international talent. comes in a stunning full-colour screen-printed sleeve with paper inner. third try records is a newly launched record label from paris led by victor willaert, a dj, promoter and designer.

other than thousands of hardened workers elbow to elbow, pounding sheets of metal, we re in a dead zone - an imaginary sphere extending miles in every direction, devoid of life. volume and vibration drove away all that could sense it, with the remainder of the food chain following.

although the artist has spent 2015 honing the discographies of his other projects, “ravers” comes after a silent year for the d. carbone moniker which in turn gives it all the more impact. the “class of ‘87” dj and producer’s first mini-album is dedicated to everyone interested in the ecstatic sounds of 90’s rave culture. on “ravers”, d. carbone distances himself from the functional perception that techno indicates a fairly narrow tempo range. instead, he approaches it more freely by returning to earlier formulations.

unheard nuggets all over this one... palto flats and new general catalogue are partnering to release awaawaa, a new record by woo, the longstanding project of british brothers mark and clive ives. undertones of: jon hassell, holger czukay, durutti column, popol vuh, this heat... a hearty recommendation from us! featuring never before heard recordings from woo’s archives, awaawaa sees the band at their most evocative and psychedelic - presenting a suitelike, atmospheric collection of stunning miniatures. recorded in south london during 1975-82, awaawaa lines up chronologically with other woo releases, such as ‘whichever way you are going, you are going wrong,’ and touches upon synth, ambient, electronics, dub, and even krautrock. following re-issues on drag city and emotional rescue, awaawaa presents a new chapter in woo’s celebrated discography, further distilling the brother’s unique and otherworldy vision.

viva erotica has been a gabba-beat chamber orchestra, a facebook sculpture, a youporn recycling machine and is now becoming a piece of wax (a record). four tracks are furious comments on the downfall of club music - the bassdrum as a weapon against the bassdrum - the other four want to forgive and forget. 2015 was the year of about-face. each of the 330 records has a cutout from a coffee-table book plastered on the front.

yoruba records is pleased to bring you a taste of the upcoming who am i remix album featuring a floor filling remix from none other than louie vega. weekend love takes you back to place when love made you smile, featuring the voices of melbournes own motty & siobhan, the perfect vocal duo bringing it all together. louie keeps the soul of the original while delivering a level of house music flair that only he can. vegas roots nyc mix is reminiscent of his classic material, this one is certain to have you vibing to the bassline and is an absolute floor filler. the flip side brings you two deep cuts of pelagonia, the first of which is from up- and-comer at one. his chunky drums and spaced out horns will take you on a hypnotic journey. as the vocal chants come in they seem to remove all doubt, this deep, late night cut is a must have. closing out this ep is yoruba honcho osunlades yoruba soul mix. a heavy, percussion-driven jam that boasts floor-ready bass and clever use of the original horn section, as it builds into a climax this tune is sure to heat up your summer. stay tuned for the full who am i remix album due out late 2016.

this track has been in my computer since a little while when dj sotofett joined me here in amsterdam, to play an epic back to back at the school (amazing new club here). when i am doing a track, it could go to a lot of different directions as im jamming them for hours in my pipe studio. i sometimes could get lost. so i asked sotofett to join me in the studio to help to finish it. then we ended with those 2 versions of cham, which are, as often when i work with the sextags man, the result of live takes almost unedited. we also add some percussions from shadi khries and we recorded two versions of the same track within hours. one being bass driven with a lot of psychedelic noises and the other one more space-techno. our adventures continues, here is another slice of spaced out music.hope you ll enjoy.

hans berg and johanna knutsson return to the ufo station with their fourth release, a powerful trippy trip, through warped time and space. and guess who was waiting for them at the station? well,none other than fellow space traveller dungeon acid, who delivers a remix that just might knock your space pants off. the title track alien power is obviously inspired by the quantum fusion core phase shift warp power engine that drives the ufo station, a steady beat to keep you on the right side of the force, whereas the dungeon acid remix is a musical interpretation of the great warp speed interdimensional flux mishap of the year 2216. the track dubby is so named because it inherently describes the core feeling of the track! alien choirs and synched synths meet long delay lines in this dreamy piece.

starting from th pressing s first release, artist tominori hosoya has continued releasing his musics from labels such as deepartsounds and soiree records. he is resident in tokyo, and is the president of th pressing, which release a second vinyl finally. the 4 participating artists are, anaxander, who takes an active part in labels such as poker flat and local talk, the new and excellent producer john shima, who has released from ferox and boe, rai scott, who runs a label with brad peterson and also releases from other labels, and finally, the man of experience, rennie foster, who has continuously been releasing masterpieces from many labels such as subject detroit. the 4 artists have been handed over the concept“music dedicted to the important persons, things and memories” from the previous piece, and has created an emotional and atmospheric opus. vinyl only.

this one has been in the making for a loooong time and we do believe you will agree it was worth the wait. tj kong has been releasing some serious vocal house masterpieces over the past year on compost and other labels of fame, so it was only a matter of time before they ended up on wph. when it comes to vocals few do it better than gustaph, the belgian lead vocalist of hercules & love affair and a close friend of the wph family. inside story: gustaph provided non-credited (but paid) backing vocals for fcl’s ‘it’s you’ stormer. with tj kong gustaph takes up the role of both lyrics writer and vocalist and does so to devastating effect in absolute perfect unison with the track provided by tj kong & modular k. it’s classic but very very fresh. on the flipside tj kong & modular k team up with french wonderboy art of tones aka llorca for a trip into house music stabs & strings bliss. if the dream is always the same, we do hope this is the one you are re-dreaming. wph ten-3, niceness to the max!

aus music exultantly welcome a fresh signee into the fold in the form of extolled and accomplished producer recloose. with a 12inch that marks the end of a three year production intermission, the planet e and rush hour great readies‘honey rocks - a glowing three-track ep that demonstrates the unwavering talents of a producer with 20 years experience in the game. having entered a new phase of his career in 2014 propelled by a move to brooklyn, the nomadic producer continues to develop a hugely impressive discography thats included remixes for herbert, motor city drum ensemble, funkadelic and mj cole as well as four full-length lps and numerous eps on labels such as peacefrog, planet e and sonar kollektiv. honey rocks brings together three deftly structured dancefloor tracks. all as jubilant and groovy as each other as soul, funk, disco and classic house sounds are melded with ineffable flair and skill in a record that reaffirms aus musics status as a label capable of not only maintaining consistency but also keeping listeners guessing.

severence is an electronic sound artist who lives in spain. mensch 003 experiments with various forms of chaotic sound & signal generation to create dense chaotic sound fields and other more relaxed ambient soundscapes. all tracks were recorded live in one take using a eurorack modular synth, a mixing desk and various effects pedals (no overdubs or post processing in the computer).

about a year ago nico stojan and acid pauli met at the studio to record some music. while doing so they discovered their common love for sample based production. so they were basically digging into old vinyls and eventually these three tracks came along. nothing more to say, but enjoy. call of the valley is the first release on the new label ouie: there has been a shift in this tiny piece of massive world and, like all other shifts, they are documented by those who were there. ouie is the label to do just that, created by the people who were there, making those shifts.

2014 lieferte sie mit no deal ein beeindruckendes album ab und wurde seitdem europaweit als eine der faszinierendsten neuen stimmen im jazz wahrgenommen. kein wunder also, dass die belgierin 2015 mit dem ebba (european border breakers award) ausgezeichnet wurde. anderthalb jahre nach der albumveröffentlichung von -no deal- erschien durch initiative von gilles peterson ein wundervoller musikalischer nachschlag dieses fantastischen werks: no deal remixed mit reworks von u.a. eels und the cinematic orchestra. nun erscheint mit blackened cities ein episches 25-minütiges werk über das de biasio sagt, i dont think anyone, including me, was expecting a 25-minute piece which wasnt a successor to no deal, or anything other than a collection of new songs. i followed what the music told me, like a gut feeling.

terrific record! eight charged, intimate meditations by julie normal and olivier demeaux, playing a rickety ondes martenot and an old church harmonium. gripping, detailed, stately improvisation — a bit like the ùrlars in classical bagpipe music — which nervily mixes the sternly doom-laden with precarious, other-worldly wonderment. (the ondes martenot is an amazing twentieth-century instrument — beloved by messiaen, for example, and varese. the theme-song of star trek is a vocal forgery of its sound. ‘j’aime cette fragilité qui côtoie la capacité de te décoller le tympan sur certaines fréquences inopinément,’ says julie. ‘je tiens une bombe dans les mains. j’aime son instabilité, son humanité.’) wood, breath, blood, eggshells… on the night of a purple moon. very warmly recommended.

the grand opening of the new label serie obscura europa sampled artists , a various artists 12 ep serie to present darkwave bands that escapes a little from the usual electronic sound of the label. on this volume 1 we will find a 90 s ultra classic darkwave hymn of the dissolved german band behind the scenes, uncomprehensively never pressed on vinyl to date. on the other hand, the polish solo act undertheskin shows with 2 cold but extremely rhythmic tracks why his acclaimed debut mini album is one of the most exciting and interesting proposals of 2015. all tracks have been analogically remastered specially for this vinyl version.

powerdance is a collective formed by luke solomon and nick maurer formed as a reaction to bland soul less dance music that seems to infiltrating nightclubs the world over. luke and nicks comradely stems back many many years to their association with the classic music company a label formed by derrick carter and luke. nick maurer was one half of the then prolific greens keepers. this ep for optimo trax features the wigged epically funkoid gem mysterious space plane who doesn t like songs about space? on the other side is the modern hyper jacking more fire. alongside these are a reprise of mysterious space plane and a bonus beats of more fire for those djs who like to, are able to get creative with their mixing

tresor records proudly presents the second chapter in mønic’s musical journey on the label. head of osiris music, mønic is an accomplished producer whose style can be defined as raw yet exceptionally refined, allowing for a certain industrial inspiration to ooze from his exquisite sound design. ‘four sides of truth’ opens a conversation between pristenely defined low frequencies and an infinity of fleeting, chirping synth layers. this discussion will continue throughout the record, taking additional drums into the exchange and swirling into ‘point to the sun’ in full panning effect. on the other side, lower frequencies undoubtedly take over and win the argument in ‘self doubt is worthless’. uk-based kamikaze space programme contributes with a revisited version of ‘morse’, initially released on the parsons hill ep. preserving the abrasive textures of the original, ksp dramatically raises the track’s thrilling factor.

giant cuts presents. shmlss. shmlss consists of bart and michiel, two young dutch guys who connected with each other through the disco sound they both love. always searching for those rare gems in dark, dusty old record stores, they often come home with the same records. their dj sets are diverse and they have developed a particular sound. disco selectors at 22tracks amsterdam and with releases in the bag for special edition, disco deviance, to rack & ruin, paper disco, because music things are certainly bright for shmlss.

the second release is a split between the label owners lc12 and the rising star autre.
on the first side rumore and orphidal are opening the release with a 115 bpm proto-ambient track filled with liquid grooves and tribal elements while in the second cut they are showing us their faster and deep-acid side with conversations.
on the other surface autre is killing it with filter sessions 329, a mental techno trip did while experimenting with his new filter bank, an 808 and a juno 106. the b2 is an elegant track with a fred p-esque touch, suitable for every kind of dance floor.

king ghazi is shadi khries and gilbert cohen. recorded in amman / may 2014. all the music presented here is original, and has been recorded in jordan in may 2014. this project was born when i met shadi in paris, at the percussion recording sessions for acid arab. from these sessions came the idea of&#8203,,,,,exploring local music styles on the verge of disappearing, in jordan and elsewhere in the middle east. it was also an opportunity for me to meet exceptional people and wonderful artists. for 15 days, we travelled through jordan, recording local musicians. here we hear osama al khairat aka abu sayah, an exiled syrian musician who plays the yarghoul (two flutes linked together by beeswax. one plays a drone, the other the corresponding range, all while blowing continuously). i want to specially thank shermine sawalha for allowing us to record in the living room of her parents house, as well as for coordinating the whole project. without her energy and patience, this record would not be in your hands today.

modern love very rarely reaches out to artists outside of its immediate surroundings, it’s happened just a couple of times in the last 14 years. but there’s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he’s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

inmotion music ltd sparks its first release by none other than marco faraone. fresh off his unflinching release schedule in 2015, with poignant releases on drumcode, moon harbor beasone and on edge society, marco’s second release of the year sees him affirming his position as a full-spectrum techno mainstay. with two stunning remixes by argentinas jonas kopp, replace ep showcases a versatile playlist grounded in timeless, raw techno.

next token output! tip!

the in 1986 produced mks-50 synth is a rack-mount version of roland corporation s alpha juno. it has the same synth engine and architecture, but with added features like 16 programmable chord memories, the ability to store velocity, volume, panning, de-tune, portamento and other similar parameters within each patch you create. the optional pg-300 gives traditional slider type control of all editable tone parameters which include dco (digitally controlled oscillators) lfo, bend, env, pulse, waveforms, noise, pw/pwm, high pass filter, vcf (filter) with freq/env/res/lfo/kybd, vca envelope, chorus, and more. adapta delivers a project based on this legendary mks-50 synth. tracks created with technology from the past, aimed for the future. what we call,.. techno!!

support from todd terje, crazy p
from da vaults…nettles is a new series from red rack ems bergerac label which will focus on the more sample based end of things. tracks which have remained secret weapons for many years will finally see the light of day. this first release features music which was played by quite a few heavy hitters but sadly remained lost on the hard drive…until now… ‘bill george starts of as a super funky, cut up electro disco jam which morphs into the mother of all breakdowns before drifting into super deep detroit style house and then peaking back to the original electro funk vibes. a secret weapon for the likes of crazy p (who featured it on their beats in space mix way back in 2010) and one of red rack em most unreleased tracks requested for release , there s going to be quite a few people around the world celebrating bill george finally making it to wax. a 30 second piece of incidental music from a long lost german children s television series is extended into a late night disco jam timm which picked up props from none other than todd terje when danny extended it back in the hot coins edit days of 2007. another lost track which is finally seeing release…. ‘transfer list began life as a hip hop beat which ended up being such an epic opus that the full glory of the track had to be unleashed. once again a cdr classic for a trusted few. a super funky beat evolves into a kind of honky tonk vibe sort of on the kmd tip but with added poppy vocals. made in 2003

blow and zavor deliver two deep laid back versions of one elaborate theme, one being more on a slightly acidish sound setup, the other heading more towards a mellow dub and pads style.

kauf is a l.a.-based singer and composer of exquisite synth-heavy vocal backed scores. fort romeau is a house music producer from uk. one is remixing the other. the result couldnt be better: music for ballroom dancing and putting your greasy leather jacket over your tuxedo and wearing biker boots to a cocktail dress. comes with extended vocal and instrumental mix.

red double vinyl in gatefold sleeve with download code included.

here’s the second “mindgame” album sampler, taken from a.paul’s last album, featuring 4 amazing peaktime techno tracks. besides the new approach by a.paul himself on his “mindgame” original track, you will also find superb remixes of other tracks from the album by the advent & industrialyzer, klaudia gawlas and a-brothers.

tuppence is a new seven inch single label, the latest venture from esteemed disc jockey and epicurean craig richards (fabric / the nothing special). the debut release is courtesy of electro techno genius radioactive man (keith tenniswood). please note these are limited 7inch only releases. watch out for other forthcoming releases on tuppence from convextion and deadbeat.

danish djuma soundsystem teams up with italian aki bergen and they get showered in spoken poetry by none other than south african lazarusman.the reciepe is already there and looking good,but even better.it sounds good too. 2 different versions from 2 great producers. aki bergens version is very driving, electronic and suitable for the primetime and late night hours. djuma soundsystem serves the more organic and deep version for the warm up hours and small intense clubs.

stamp records delve into the past for their next release, giving a new lease of life to one of swayzak s least characteristic and most sought-after tracks. swayzak are true heroes of the uk underground, having clocked numerous seminal releases in the late 90 s and early 00 s straddling the grey area between house and techno. disco dub plate volume 2 - originally out in 2000 - was an obvious anomaly in the duo s discography, that has managed to forge a path of its own amongst a completely different crowd to swayzak s usual disciples. one cut from that ep, stronger love , is a carefully arranged marriage between a certain pair of quintessential aor darlings and the soul voice of the 80 s. can we be more specific? no can do...it shouldn t really work, but somehow it does! it s been caned by many a balearic dj over the years, including mark seven who included it in his mythical originals compilation, where it holds its ground amongst other balearic heavyweights. as an added bonus for this 2016 edition we re treated to two brand new mixes ! frank agrario teases in bits of the original making for his chunkier version that is aimed squarely at the dancefloor, while brun (1/2 of swayzak) delivers a bang up-to-date dub that keeps its elements to the bare minimum, building into a deep hypnotic house chugger.

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards the nothing special label.

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards’ the nothing special label.

(limited double 12 with printed inner sleeves) -action- is the 1st single of cassius s new album (release date 24.06.2016). this ep features 6 tracks, exclusively for the record store day, the first single -action- from the upcoming album releases as a double 12 inch edition. it features remixes that wont be published in any other form. a delicious foretaste before the main course.

limited to 300 copies, 180g. vinyl only. no repress. for the first release on randall m s new imprint, bucharest artist guy from downstairs presents two tracks packed with groovy moods that flow with a vibe of pleasant oddness. on the b side is a stellar dub remix coming from none other than mosaic boss steve o sullivan. early support from the likes of tini, bill patrick, livio & roby, alexkid…

the second installment of almost there series is signed by edanticonf and starts with a six minutes ambient journey dedicated to the memory of max_m. a luminescent constellation where bleeps and sweet arpeggios saturate the atmosphere. the other two tracks presented on this ep describe the typical sound of the italian producer: mellow grooves, organic melodies, slow progression and smooth hypnotic dynamics realized using a full analog setup.

mmoths, aka jack colleran will release his new album on march 11th. for the record store day, he his providing us with a limited edition maxi of 3 mind-blowing and enchanting tracks that he knows how to compose. “deu” is taken from the upcoming album “luneworks”, a night-time gateaway where brutality and delicacy come to complete each other wonderfully. on b-side mmoths delivers two exclusive tracks “santo” and “yago”.

on the back of an acclaimed lp on his own umhs label, freerotation resident leif takes his woozy grooves and lush atmospherics for a trackier spin on galdoors. macro beat s-broken latin groove propels the a1 through layers of bubbling dub synths and twinkling atmospherics. moment beat shares the first track s club focus, but this time chimes unfurl over a low-slung groove that leaves things perfectly poised for a change in direction. on the b, tumbler-picks up the pace once more with highs and arpeggios that pulse and slide around each other restlessly, before untitled wraps up with a beatless and beautiful flourish.